a 16th-century Spanish sculptor of the Sevillian and Granadan schools. Records show he was active in the city of Granada in 1563, and in Seville from 1571 to 1580. With a style influenced by the Italian Renaissance and that of Michelangelo, he may have trained in ...

a 16th-century Spanish sculptor of the Sevillian and Granadan schools. Records show he was active in the city of Granada in 1563, and in Seville from 1571 to 1580. With a style influenced by the Italian Renaissance and that of Michelangelo, he may have trained in Italy.

a French Renaissance sculptor. His works - with their realism and theatrical emotion - show the influence of the School of Fontainebleau, Michelangelo and Italian Mannerism. Much of Pilon's work was on funerary monuments, especially the Valois Chapel at the Saint ...

a French Renaissance sculptor. His works - with their realism and theatrical emotion - show the influence of the School of Fontainebleau, Michelangelo and Italian Mannerism. Much of Pilon's work was on funerary monuments, especially the Valois Chapel at the Saint Denis Basilica designed by Francesco Primaticcio (never completed). He was the favorite sculptor of queen Catherine de' Medici.

a Dutch Flemish Renaissance painter, sculptor, draftsman and cartographer. Though he painted many good works in Bruges, his best work was in the Sint Janskerk in Gouda, the History of Saint Hubertus. He was later eclipsed by his own son, Frans Pourbus the Elder. Besides painting, he was also a surveyor and engineer. He was known primarily for his religious a...

a Dutch Flemish Renaissance painter, sculptor, draftsman and cartographer. Though he painted many good works in Bruges, his best work was in the Sint Janskerk in Gouda, the History of Saint Hubertus. He was later eclipsed by his own son, Frans Pourbus the Elder. Besides painting, he was also a surveyor and engineer. He was known primarily for his religious and portrait painting and worked mainly in Bruges, where he had settled before 1543, when he became a member of the Bruges Guild of Saint Luke.

a Swiss-born French sculptor best known for his work in the neoclassical style. The cool neoclassical surface finish of his sculptures is charged with an eroticism that their mythological themes can barely disguise. At the Salon of 1834, Pradier's Satyr and Bacchante created a scandalous sensation. Some claimed to recognize the features of the sculptor and h...

a Swiss-born French sculptor best known for his work in the neoclassical style. The cool neoclassical surface finish of his sculptures is charged with an eroticism that their mythological themes can barely disguise. At the Salon of 1834, Pradier's Satyr and Bacchante created a scandalous sensation. Some claimed to recognize the features of the sculptor and his mistress, Juliette Drouet.

a French sculptor of the Romantic movement. A student of David d'Angers, Préault first exhibited at the Paris Salon in 1833. He was not favorably looked upon by some of the artistic community's elite due to his outspokenness and because he was part of the circle of activists who participated in the French Revolution of 1830. During that period of turmoil, P...

a French sculptor of the Romantic movement. A student of David d'Angers, Préault first exhibited at the Paris Salon in 1833. He was not favorably looked upon by some of the artistic community's elite due to his outspokenness and because he was part of the circle of activists who participated in the French Revolution of 1830. During that period of turmoil, Préault's studio was vandalized and many of his plaster models were destroyed. As a result of these circumstances his work has been largely overshadowed by his contemporaries.

a French sculptor. In 1585 he created the monument to Christophe de Thou, now preserved in the Louvre Museum, and was named sculptor to king Henry IV in 1591. He restored the Roman marble now called the Diana of Versailles in 1602. Several of his bronzes are preser...

a French sculptor. In 1585 he created the monument to Christophe de Thou, now preserved in the Louvre Museum, and was named sculptor to king Henry IV in 1591. He restored the Roman marble now called the Diana of Versailles in 1602. Several of his bronzes are preserved in the National Gallery of Art, Washington, DC

an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Primaticcio's crowded Mannerist compositions and his long-l...

an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Primaticcio's crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century

a French painter, sculptor, architect and engineer. He was born in Marseille. At the age of fourteen he carved the ornaments of the galleys built in the shipyards of his native city, and at sixteen the decoration and construction of a ship were entrusted to him. Soon after he went to Italy on foot, and was well received at Rome by Pietro da Cortona, who took...

a French painter, sculptor, architect and engineer. He was born in Marseille. At the age of fourteen he carved the ornaments of the galleys built in the shipyards of his native city, and at sixteen the decoration and construction of a ship were entrusted to him. Soon after he went to Italy on foot, and was well received at Rome by Pietro da Cortona, who took him into his studio and employed him on the ceilings of the Palazzo Barberini and on those of Palazzo Pitti at Florence.